Hermann Ackermann, Wolfram Ziegler
Audra Ames, Sara Wielandt, Dianne Cameron, Stan Kuczaj
David Ardell, Noelle Anderson, Bodo Winter
Rie Asano, Edward Ruoyang Shi
Mark Atkinson, Kenny Smith, Simon Kirby
Andreas Baumann, Christina Prömer, Kamil Kazmierski, Nikolaus Ritt
Christian Bentz
Aleksandrs Berdicevskis, Hanne Eckhoff
Richard A. Blythe, Alistair H. Jones, Jessica Renton
Cedric Boeckx, Constantina Theofanopoulou, Antonio Benítez-Burraco
Megan Broadway, Jamie Klaus, Billie Serafin, Heidi Lyn
Jon W. Carr, Kenny Smith, Hannah Cornish, Simon Kirby
Federica Cavicchio, Livnat Leemor, Simone Shamay-Tsoory, Wendy Sandler
Zanna Clay, Jahmaira Archbold, Klaus Zuberbuhler
Katie Collier, Andrew N. Radford, Balthasar Bickel, Marta B. Manser, Simon W. Townsend
Jennifer Culbertson, Simon Kirby, Marieke Schouwstra
Christine Cuskley, Vittorio Loreto
Christine Cuskley, Bernardo Monechi, Pietro Gravino, Vittorio Loreto
Dan Dediu, Scott Moisik
Sabrina Engesser, Amanda R. Ridley, Simon W. Townsend
Dankmar Enke, Roland Mühlenbernd, Igor Yanovich
Kerem Eryilmaz, Hannah Little, Bart de Boer
Nicolas Fay, Shane Rogers
Maryia Fedzechkina, Becky Chu, T. Florian Jaeger, John Trueswell
Olga Feher, Kenny Smith, Elizabeth Wonnacott, Nikolaus Ritt
Piera Filippi, Sebastian Ocklenburg, Daniel Liu Bowling, Larissa Heege, Albert Newen, Onur Güntürkün, Bart de Boer
Piera Filippi, Jenna V. Congdon, John Hoang, Daniel Liu Bowling, Stephan Reber, Andrius Pašukonis, Marisa Hoeschele, Sebastian Ocklenburg, Bart de Boer, Christopher B. Sturdy, Albert Newen, Onur GÜntÜrkÜn
Molly Flaherty, Katelyn Stangl, Susan Goldin-Meadow
Marlen Fröhlich, Paul H Kuchenbuch, Gudrun Müller, Barbara Fruth, Takeshi Furuichi, Roman M Wittig, Simone Pika
Victor Gay, Daniel Hicks, Estefania Santacreu-Vasut
Andreea Geambasu, Michelle J. Spierings, Carel ten Cate, Clara C. Levelt
Matt Hall, Russell Richie, Marie Coppola
Stefan Hartmann, Peeter Tinits, Jonas Nölle, Thomas Hartmann, Michael Pleyer
Wolfram Hinzen, Joana Rosselló
Rick Janssen, Bodo Winter, Dan Dediu, Scott Moisik, Sean Roberts
Rick Janssen, Dan Dediu, Scott Moisik
Jasmeen Kanwal, Kenny Smith, Jennifer Culbertson, Simon Kirby
Deborah Kerr, Kenny Smith
Buddhamas Kriengwatana, Paola Escudero, Anne Kerkhoven, Carel ten Cate
Adriano Lameira, Jeremy Kendal, Marco Gamba
Molly Lewis, Michael C. Frank
Casey Lister, Tiarn Burtenshaw, Nicolas Fay, Bradley Walker, Jeneva Ohan
Hannah Little, Kerem Eryılmaz, Bart de Boer
Hannah Little, Kerem Eryılmaz, Bart de Boer
Giuseppe Longobardi, Armin Buch, Andrea Ceolin, Aaron Ecay, Cristina Guardiano, Monica Irimia, Dimitris Michelioudakis, Nina Radkevich, Gerhard Jaeger
Heidi Lyn, Stephanie Jett, Megan Broadway, Mystera Samuelson
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Miranda
Adrien Meguerditchian, Damien Marie, Konstantina Margiotoudi, Scott A. Love, Alice Bertello, Romain Lacoste, Muriel Roth, Bruno Nazarian, Jean-Luc Anton, Olivier Coulon
Jérôme Michaud
Ashley Micklos
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Yasamin Motamedi, Marieke Schouwstra, Kenny Smith, Simon Kirby
Roland Mühlenbernd, Johannes Wahle
Tomoya Nakai, Kazuo Okanoya
Savithry Namboodiripad, Daniel Lenzen, Ryan Lepic, Tessa Verhoef
Alan Nielsen, Dieuwke Hupkes, Simon Kirby, Kenny Smith
Bill Noble, Raquel Fernández
Irene M. Pepperberg, Katia Zilber-Izhar, Scott Smith
Lynn Perry, Marcus Perlman, Gary Lupyan, Bodo Winter, Dominic Massaro
Ljiljana Progovac
Andrea Ravignani, Tania Delgado, Simon Kirby
Terry Regier, Alexandra Carstensen, Charles Kemp
Lilia Rissman, Laura Horton, Molly Flaherty, Marie Coppola, Annie Senghas, Diane Brentari, Susan Goldin-Meadow
Gareth Roberts, Mariya Fedzechkina
Carmen Saldana, Simon Kirby, Kenny Smith
Carlos Santana
William Schueller, Pierre-Yves Oudeyer
Catriona Silvey, Christos Christodoulopoulos
Katie Slocombe, Stuart Watson, Anne Schel, Claudia Wilke, Emma Wallace, Leveda Cheng, Victoria West, Simon Townsend
Ruth Sonnweber, Andrea Ravignani
Michelle Spierings, Carel ten Cate
Kevin Stadler, Elyse Jamieson, Kenny Smith, Simon Kirby
Monica Tamariz, Joleana Shurley
Monica Tamariz, Jon W. Carr
Bill Thompson, Heikki Rasilo
Oksana Tkachman, Carla L. Hudson Kam
Simon Townsend, Andrew Russell, Sabrina Engesser
Francesca Tria, Vittorio Loreto, Vito Servedio, S. Mufwene Salikoko
Anu Vastenius, Jordan Zlatev, Joost Van de Weijer
Tessa Verhoef, Carol Padden, Simon Kirby
Slawomir Wacewicz, Przemyslaw Zywiczynski, Arkadiusz Jasinski
Bodo Winter, David Ardell
Bodo Winter, Lynn Perry, Marcus Perlman, Gary Lupyan
Marieke Woensdregt, Kenny Smith, Chris Cummins, Simon Kirby
Eva Zehentner, Andreas Baumann, Nikolaus Ritt, Christina Prömer
Keywords: laughter, pragmatics, indirect speech, vocal communication
Short description: Studies examining the interaction of human laughter with spontaneous language use reveal aspects of laughter's evolved function
Abstract:
1. Introduction
Laughter is a universal social vocalization characterized by rhythmic laryngeal and superlaryngeal activity. The sound of laughter varies within and between speakers, but maintains a reasonably stereotyped form, and follows rather specific production rules (Provine, 2000). Acoustic analyses of play vocalizations across several primate species suggest that human laughter is derived from a homolog dating back at least 20 MYA (Davila-Ross et al., 2009). Human laughter has evolved increased proportions of voiced components, and these features contribute to perceptual judgments of affiliation between speakers and positive affect (Bachorowski & Owren, 2001). But rhythmic characteristics also play an important role in judgments of spontaneity and playfulness (Bryant & Aktipis, 2014). Laughter features might interact in interesting ways with language use that can reveal important aspects of its evolved function.
People laugh in conversation to achieve a variety of pragmatic goals (Flamson & Bryant, 2013), and laughter plays a complex role in negotiating relationships that goes well beyond its connection to humor (Provine, 2000). But the production of spontaneous laughter is likely generated by an emotional vocal system that is separate from the control of articulators during speech production—the so-called dual pathway model of vocal production.
2. Studies exploring the interaction of laughter and language
2.1. Laughter signals play in discourse
People tend to laugh immediately before and after using indirect speech in which speaker intentions are not explicitly stated but rich meaning is strategically conveyed. Here I will describe recent research documenting the effect of laughter on the interpretation of verbal irony, a common form of indirect speech. Verbal irony utterances that included adjacent laughter were culled from natural conversations between friends, and were then manipulated to either include the laughter or not. These utterances were played for listeners (no listener heard the same utterance twice) and they were asked to rate the indirectness of the speakers’ meaning. The presence of laughter increased listeners’ judgments of indirectness (Exp. 1). The isolated laughs from these recordings were then played to a different group of listeners and rated for playfulness (Exp. 2). Judgments of playfulness were positively associated with the degree to which laughter increased judgments of indirectness across utterances in the first experiment. These data suggest that spontaneous laughter functions to signal play in social interaction, and sheds light on the relationship between pragmatics and nonhuman animal communication.
2.2. Laughter and speech production
During conversation, the relationship between interlocutors shapes the way people laugh. For example, the interaction between speech production and laughter production is affected by affiliative status. I will describe recent work using the same corpus of spontaneous conversation recordings showing that, compared to established friends, people who have just recently met will embed laughter into their speech much more frequently, suggesting a greater tendency to produce laughs from the speech system as opposed to the phylogenetically older vocal emotion system. The speech system generates laughs with highly recognizable features, and is potentially indicative of social manipulation.
3. Conclusion
These studies represent attempts to explore the role of laughter in signaling social intentions, and potentially cueing social manipulation. The function of human laughter is clearly connected to homologs in other primate species, and its incorporation into human linguistic communication, including pragmatic signaling, provides a fascinating example of how an ancestrally old trait can be integrated with more recent communicative abilities.
References
Bachorowski, J. A., & Owren, M. J. (2001). Not all laughs are alike: Voiced but not unvoiced laughter readily elicits positive affect. Psychological Science, 12(3), 252-257.
Bryant, G. A., & Aktipis, C. A. (2014). The animal nature of spontaneous human laughter. Evolution and Human Behavior, 35(4), 327-335.
Davila-Ross, M., Owren, M., & Zimmermann, E. (2009). Reconstructing the evolution of laughter in great apes and humans. Current Biology, 19, 1106–1111.
Flamson, T. J., & Bryant, G. A. (2013). Signals of humor: Encryption and laughter in social interaction. In M. Dynel (Ed.). Developments in linguistic humour theory (pp. 49-74). Amsterdam: John Benjamins.
Provine, R. R. (2000). Laughter: A scientific investigation. New York, NY: Penguin Press.
Citation:
Bryant G. (2016). How Do Laughter And Language Interact?. In S.G. Roberts, C. Cuskley, L. McCrohon, L. Barceló-Coblijn, O. Fehér & T. Verhoef (eds.) The Evolution of Language: Proceedings of the 11th International Conference (EVOLANG11). Available online: http://evolang.org/neworleans/papers/203.html