Hermann Ackermann, Wolfram Ziegler
Audra Ames, Sara Wielandt, Dianne Cameron, Stan Kuczaj
David Ardell, Noelle Anderson, Bodo Winter
Rie Asano, Edward Ruoyang Shi
Mark Atkinson, Kenny Smith, Simon Kirby
Andreas Baumann, Christina Prömer, Kamil Kazmierski, Nikolaus Ritt
Christian Bentz
Aleksandrs Berdicevskis, Hanne Eckhoff
Richard A. Blythe, Alistair H. Jones, Jessica Renton
Cedric Boeckx, Constantina Theofanopoulou, Antonio Benítez-Burraco
Megan Broadway, Jamie Klaus, Billie Serafin, Heidi Lyn
Jon W. Carr, Kenny Smith, Hannah Cornish, Simon Kirby
Federica Cavicchio, Livnat Leemor, Simone Shamay-Tsoory, Wendy Sandler
Zanna Clay, Jahmaira Archbold, Klaus Zuberbuhler
Katie Collier, Andrew N. Radford, Balthasar Bickel, Marta B. Manser, Simon W. Townsend
Jennifer Culbertson, Simon Kirby, Marieke Schouwstra
Christine Cuskley, Vittorio Loreto
Christine Cuskley, Bernardo Monechi, Pietro Gravino, Vittorio Loreto
Dan Dediu, Scott Moisik
Sabrina Engesser, Amanda R. Ridley, Simon W. Townsend
Dankmar Enke, Roland Mühlenbernd, Igor Yanovich
Kerem Eryilmaz, Hannah Little, Bart de Boer
Nicolas Fay, Shane Rogers
Maryia Fedzechkina, Becky Chu, T. Florian Jaeger, John Trueswell
Olga Feher, Kenny Smith, Elizabeth Wonnacott, Nikolaus Ritt
Piera Filippi, Sebastian Ocklenburg, Daniel Liu Bowling, Larissa Heege, Albert Newen, Onur Güntürkün, Bart de Boer
Piera Filippi, Jenna V. Congdon, John Hoang, Daniel Liu Bowling, Stephan Reber, Andrius Pašukonis, Marisa Hoeschele, Sebastian Ocklenburg, Bart de Boer, Christopher B. Sturdy, Albert Newen, Onur GÜntÜrkÜn
Molly Flaherty, Katelyn Stangl, Susan Goldin-Meadow
Marlen Fröhlich, Paul H Kuchenbuch, Gudrun Müller, Barbara Fruth, Takeshi Furuichi, Roman M Wittig, Simone Pika
Victor Gay, Daniel Hicks, Estefania Santacreu-Vasut
Andreea Geambasu, Michelle J. Spierings, Carel ten Cate, Clara C. Levelt
Matt Hall, Russell Richie, Marie Coppola
Stefan Hartmann, Peeter Tinits, Jonas Nölle, Thomas Hartmann, Michael Pleyer
Wolfram Hinzen, Joana Rosselló
Rick Janssen, Bodo Winter, Dan Dediu, Scott Moisik, Sean Roberts
Rick Janssen, Dan Dediu, Scott Moisik
Jasmeen Kanwal, Kenny Smith, Jennifer Culbertson, Simon Kirby
Deborah Kerr, Kenny Smith
Buddhamas Kriengwatana, Paola Escudero, Anne Kerkhoven, Carel ten Cate
Adriano Lameira, Jeremy Kendal, Marco Gamba
Molly Lewis, Michael C. Frank
Casey Lister, Tiarn Burtenshaw, Nicolas Fay, Bradley Walker, Jeneva Ohan
Hannah Little, Kerem Eryılmaz, Bart de Boer
Hannah Little, Kerem Eryılmaz, Bart de Boer
Giuseppe Longobardi, Armin Buch, Andrea Ceolin, Aaron Ecay, Cristina Guardiano, Monica Irimia, Dimitris Michelioudakis, Nina Radkevich, Gerhard Jaeger
Heidi Lyn, Stephanie Jett, Megan Broadway, Mystera Samuelson
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Miranda
Adrien Meguerditchian, Damien Marie, Konstantina Margiotoudi, Scott A. Love, Alice Bertello, Romain Lacoste, Muriel Roth, Bruno Nazarian, Jean-Luc Anton, Olivier Coulon
Jérôme Michaud
Ashley Micklos
Marie Montant, Johannes Ziegler, Benny Briesemeister, Tila Brink, Bruno Wicker, Aurélie Ponz, Mireille Bonnard, Arthur Jacobs, Mario Braun
Yasamin Motamedi, Marieke Schouwstra, Kenny Smith, Simon Kirby
Roland Mühlenbernd, Johannes Wahle
Tomoya Nakai, Kazuo Okanoya
Savithry Namboodiripad, Daniel Lenzen, Ryan Lepic, Tessa Verhoef
Alan Nielsen, Dieuwke Hupkes, Simon Kirby, Kenny Smith
Bill Noble, Raquel Fernández
Irene M. Pepperberg, Katia Zilber-Izhar, Scott Smith
Lynn Perry, Marcus Perlman, Gary Lupyan, Bodo Winter, Dominic Massaro
Ljiljana Progovac
Andrea Ravignani, Tania Delgado, Simon Kirby
Terry Regier, Alexandra Carstensen, Charles Kemp
Lilia Rissman, Laura Horton, Molly Flaherty, Marie Coppola, Annie Senghas, Diane Brentari, Susan Goldin-Meadow
Gareth Roberts, Mariya Fedzechkina
Carmen Saldana, Simon Kirby, Kenny Smith
Carlos Santana
William Schueller, Pierre-Yves Oudeyer
Catriona Silvey, Christos Christodoulopoulos
Katie Slocombe, Stuart Watson, Anne Schel, Claudia Wilke, Emma Wallace, Leveda Cheng, Victoria West, Simon Townsend
Ruth Sonnweber, Andrea Ravignani
Michelle Spierings, Carel ten Cate
Kevin Stadler, Elyse Jamieson, Kenny Smith, Simon Kirby
Monica Tamariz, Joleana Shurley
Monica Tamariz, Jon W. Carr
Bill Thompson, Heikki Rasilo
Oksana Tkachman, Carla L. Hudson Kam
Simon Townsend, Andrew Russell, Sabrina Engesser
Francesca Tria, Vittorio Loreto, Vito Servedio, S. Mufwene Salikoko
Anu Vastenius, Jordan Zlatev, Joost Van de Weijer
Tessa Verhoef, Carol Padden, Simon Kirby
Slawomir Wacewicz, Przemyslaw Zywiczynski, Arkadiusz Jasinski
Bodo Winter, David Ardell
Bodo Winter, Lynn Perry, Marcus Perlman, Gary Lupyan
Marieke Woensdregt, Kenny Smith, Chris Cummins, Simon Kirby
Eva Zehentner, Andreas Baumann, Nikolaus Ritt, Christina Prömer
Keywords: Sign Language, Cognitive Biases, Gesture, Systematicity, Iconicity
Short description: Conventions in sign languages emerge in the context of a subtle interplay between iconicity, systematicity and naturalness.
Abstract:
Systematic preferences have been found for the use of different iconic strategies for naming man-made hand-held tools (Padden et al., 2014) in both sign and gesture: HANDLING (showing how you hold it) and INSTRUMENT (showing what it looks like) forms are most frequently used for tools. Within those two, sign languages vary in their use of one strategy over the other (Padden et al., 2013). Nevertheless, despite having overall preferences, what variation exists tends to be conditioned by meaning. In ASL signers, handling forms are more likely to be used for actions and instrument forms for objects (Padden et al., 2014). These lexical preferences across different sign languages provide an ideal test case for understanding the emergence of conventions in language in which multiple types of bias are at play. Specifically, we argue that there may be distinct biases operating during production and interpretation of signs on the one hand, and learning a conventional system of signs on the other. It is crucial we understand how these distinct biases interact if we are to explain the emergence of systematicity in a linguistic system with iconic underpinnings.
We present three experiments that together help to form a picture of the interplay between naturalness, iconicity and systematicity in the origin of linguistic signals. The first experiment (N=720 participants, all non-signers) maps out the initial natural biases people have for pairing ACTION and OBJECT concepts related to tools (e.g. ‘using a toothbrush’ and ‘a toothbrush’) with HANDLING and INSTRUMENT forms in three different tasks. This complements data on biases found previously with spontaneous gesture productions (Padden et al., 2014). In our tasks, each participant only responds to one item, allowing us to rule out any influence of task learning or item order. In line with earlier findings, we show that non-signers have a strong preference for HANDLING forms in a production task. We also find a strong bias for ACTION concepts in interpretation and a strong bias for mapping HANDLING to ACTION and INSTRUMENT to OBJECT in a mapping task, demonstrating difference in naturalness of particular iconic strategies for signalling.
The second experiment (N=42 non-signers) investigates the effects of these biases on the learnability of artificial languages. In addition to reflecting naturalness on an item by item basis, languages can also vary in systematicity across sets of items (i.e. the extent to which all ACTIONS pattern the same way, and all OBJECTS pattern the same way). Three different languages were designed: (1) congruent with natural bias and systematic, (2) incongruent with bias and systematic, (3) random. As expected, we found languages in category (3) to be harder to learn than those in category (1). Surprisingly, languages in category (2) seem just as learnable as languages in category (1), even though the mapping runs completely counter to the strong naturalness bias we found in experiment 1. A closer look at the performance over time for participants in the different conditions reveals that participants who are exposed to (2) seem to need only a few examples before they detect and accept the unexpected pattern. The results show that even non-signers quickly detect a pattern for which they need to categorize abstract iconic gesture strategies; the handling-instrument distinction cannot be understood by simply relying on differences in form.
The third experiment looks in more detail at the flexibility of participant’s biases when they are exposed to data and whether even minimal exposure can nevertheless result in responses that are the reverse of the ones we saw in the first experiment. We exposed non-signers (N=864) to two example tools for which the form-meaning mapping was either (1) congruent with the bias for both, (2) incongruent with the bias for both, (3) one congruent and one incongruent. After this they were asked to respond to one of the three tasks taken from the first experiment for a third tool. Our findings show that, even after exposure to just two examples, the pattern of responses changes strongly, demonstrating that the bias for systematicity operating across sets of items can completely overturn the bias for naturalness operating on individual items.
Our experiments help to understand the subtle interplay between learning biases and mapping biases and how these may shape the emergence of language.
Citation:
Verhoef T., Padden C. and Kirby S. (2016). Iconicity, Naturalness And Systematicity In The Emergence Of Sign Language Structure. In S.G. Roberts, C. Cuskley, L. McCrohon, L. Barceló-Coblijn, O. Fehér & T. Verhoef (eds.) The Evolution of Language: Proceedings of the 11th International Conference (EVOLANG11). Available online: http://evolang.org/neworleans/papers/47.html