Hermann Ackermann, Wolfram Ziegler
Audra Ames, Sara Wielandt, Dianne Cameron, Stan Kuczaj
David Ardell, Noelle Anderson, Bodo Winter
Rie Asano, Edward Ruoyang Shi
Mark Atkinson, Kenny Smith, Simon Kirby
Andreas Baumann, Christina Prömer, Kamil Kazmierski, Nikolaus Ritt
Christian Bentz
Aleksandrs Berdicevskis, Hanne Eckhoff
Richard A. Blythe, Alistair H. Jones, Jessica Renton
Cedric Boeckx, Constantina Theofanopoulou, Antonio Benítez-Burraco
Megan Broadway, Jamie Klaus, Billie Serafin, Heidi Lyn
Jon W. Carr, Kenny Smith, Hannah Cornish, Simon Kirby
Federica Cavicchio, Livnat Leemor, Simone Shamay-Tsoory, Wendy Sandler
Zanna Clay, Jahmaira Archbold, Klaus Zuberbuhler
Katie Collier, Andrew N. Radford, Balthasar Bickel, Marta B. Manser, Simon W. Townsend
Jennifer Culbertson, Simon Kirby, Marieke Schouwstra
Christine Cuskley, Vittorio Loreto
Christine Cuskley, Bernardo Monechi, Pietro Gravino, Vittorio Loreto
Dan Dediu, Scott Moisik
Sabrina Engesser, Amanda R. Ridley, Simon W. Townsend
Dankmar Enke, Roland Mühlenbernd, Igor Yanovich
Kerem Eryilmaz, Hannah Little, Bart de Boer
Nicolas Fay, Shane Rogers
Maryia Fedzechkina, Becky Chu, T. Florian Jaeger, John Trueswell
Olga Feher, Kenny Smith, Elizabeth Wonnacott, Nikolaus Ritt
Piera Filippi, Sebastian Ocklenburg, Daniel Liu Bowling, Larissa Heege, Albert Newen, Onur Güntürkün, Bart de Boer
Piera Filippi, Jenna V. Congdon, John Hoang, Daniel Liu Bowling, Stephan Reber, Andrius Pašukonis, Marisa Hoeschele, Sebastian Ocklenburg, Bart de Boer, Christopher B. Sturdy, Albert Newen, Onur GÜntÜrkÜn
Molly Flaherty, Katelyn Stangl, Susan Goldin-Meadow
Marlen Fröhlich, Paul H Kuchenbuch, Gudrun Müller, Barbara Fruth, Takeshi Furuichi, Roman M Wittig, Simone Pika
Victor Gay, Daniel Hicks, Estefania Santacreu-Vasut
Andreea Geambasu, Michelle J. Spierings, Carel ten Cate, Clara C. Levelt
Matt Hall, Russell Richie, Marie Coppola
Stefan Hartmann, Peeter Tinits, Jonas Nölle, Thomas Hartmann, Michael Pleyer
Wolfram Hinzen, Joana Rosselló
Rick Janssen, Bodo Winter, Dan Dediu, Scott Moisik, Sean Roberts
Rick Janssen, Dan Dediu, Scott Moisik
Jasmeen Kanwal, Kenny Smith, Jennifer Culbertson, Simon Kirby
Deborah Kerr, Kenny Smith
Buddhamas Kriengwatana, Paola Escudero, Anne Kerkhoven, Carel ten Cate
Adriano Lameira, Jeremy Kendal, Marco Gamba
Molly Lewis, Michael C. Frank
Casey Lister, Tiarn Burtenshaw, Nicolas Fay, Bradley Walker, Jeneva Ohan
Hannah Little, Kerem Eryılmaz, Bart de Boer
Hannah Little, Kerem Eryılmaz, Bart de Boer
Giuseppe Longobardi, Armin Buch, Andrea Ceolin, Aaron Ecay, Cristina Guardiano, Monica Irimia, Dimitris Michelioudakis, Nina Radkevich, Gerhard Jaeger
Heidi Lyn, Stephanie Jett, Megan Broadway, Mystera Samuelson
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Miranda
Adrien Meguerditchian, Damien Marie, Konstantina Margiotoudi, Scott A. Love, Alice Bertello, Romain Lacoste, Muriel Roth, Bruno Nazarian, Jean-Luc Anton, Olivier Coulon
Jérôme Michaud
Ashley Micklos
Marie Montant, Johannes Ziegler, Benny Briesemeister, Tila Brink, Bruno Wicker, Aurélie Ponz, Mireille Bonnard, Arthur Jacobs, Mario Braun
Yasamin Motamedi, Marieke Schouwstra, Kenny Smith, Simon Kirby
Roland Mühlenbernd, Johannes Wahle
Tomoya Nakai, Kazuo Okanoya
Savithry Namboodiripad, Daniel Lenzen, Ryan Lepic, Tessa Verhoef
Alan Nielsen, Dieuwke Hupkes, Simon Kirby, Kenny Smith
Bill Noble, Raquel Fernández
Irene M. Pepperberg, Katia Zilber-Izhar, Scott Smith
Lynn Perry, Marcus Perlman, Gary Lupyan, Bodo Winter, Dominic Massaro
Ljiljana Progovac
Andrea Ravignani, Tania Delgado, Simon Kirby
Terry Regier, Alexandra Carstensen, Charles Kemp
Lilia Rissman, Laura Horton, Molly Flaherty, Marie Coppola, Annie Senghas, Diane Brentari, Susan Goldin-Meadow
Gareth Roberts, Mariya Fedzechkina
Carmen Saldana, Simon Kirby, Kenny Smith
Carlos Santana
William Schueller, Pierre-Yves Oudeyer
Catriona Silvey, Christos Christodoulopoulos
Katie Slocombe, Stuart Watson, Anne Schel, Claudia Wilke, Emma Wallace, Leveda Cheng, Victoria West, Simon Townsend
Ruth Sonnweber, Andrea Ravignani
Michelle Spierings, Carel ten Cate
Kevin Stadler, Elyse Jamieson, Kenny Smith, Simon Kirby
Monica Tamariz, Joleana Shurley
Monica Tamariz, Jon W. Carr
Bill Thompson, Heikki Rasilo
Oksana Tkachman, Carla L. Hudson Kam
Simon Townsend, Andrew Russell, Sabrina Engesser
Francesca Tria, Vittorio Loreto, Vito Servedio, S. Mufwene Salikoko
Anu Vastenius, Jordan Zlatev, Joost Van de Weijer
Tessa Verhoef, Carol Padden, Simon Kirby
Slawomir Wacewicz, Przemyslaw Zywiczynski, Arkadiusz Jasinski
Bodo Winter, David Ardell
Bodo Winter, Lynn Perry, Marcus Perlman, Gary Lupyan
Marieke Woensdregt, Kenny Smith, Chris Cummins, Simon Kirby
Eva Zehentner, Andreas Baumann, Nikolaus Ritt, Christina Prömer
Keywords: Cultural evolution, iterated learning, language structure, constituency, complexity, expressivity, compressibility
Short description: Complex constituent structure evolves through cultural evolution from the trade-off between compressibility and expressivity.
Abstract:
Languages are culturally transmitted through a repeated cycle of learning and communicative interaction, a process known as iterated learning. Previous work has shown how different features of linguistic structure evolve from the trade-off between different competing pressures acting on language learning and communication such as compressibility and expressivity (Kirby, Cornish, & Smith, 2008; Perfors, Tenenbaum, & Regier, 2011; Lupyan & Dale, 2015; Regier, Kemp, & Kay, 2015; Kirby, Tamariz, Cornish, & Smith, 2015). In Kirby et al. (2015), compositional miniature artificial languages evolve as a result of their transmission across “generations”. Where both compressibility and expressivity pressures are in play, signals in later generations are composed of atomic units, each mapping to a specific dimension of the meaning to be conveyed. However, the complexity of the languages which evolve in these experiments is necessarily limited by the objects (meanings) people were learning labels for. In particular, the sets of objects to be labelled do not require a language which exhibits hierarchical constituency and syntactic categories. In this paper, we increase the complexity of the meanings to be conveyed by including motion events that comprise shape, number, motion and aspect. The events are composed by a focal object which performs the action and optionally, an anchor object which remains static. By increasing the complexity of the meaning space, we expect the same mechanisms involved in the evolution of simple compositionality to lead to richer syntactic structure more closely resembling that found in real languages.
We ran an Iterated Artificial Language Learning study and manipulated the expressivity pressure. We designed a monadic condition (N=32) with an artificial pressure for expressivity, and a dyadic condition (N=80) with communication as a natural pressure for expressivity. Following Kirby et al. (2015) we use the transmission chain paradigm. Participants were trained on a set of meaningsignal mappings, and then tested on their ability to recall that language. The first participants in a chain were trained on a non-compositional randomly generated language. Subsequent participants were trained on the language produced by the previous participants. The test phase of the monadic condition involved typing descriptions for motion event scenes using the language learned previously; participants were not allowed to reuse the same description for different meanings,introducing an artificial pressure for expressivity. The test phase in the dyadic condition required participants to communicate with their partner in the language that they previously learned; members of a dyad alternated between describing meanings for their partner, and interpreting descriptions provided by their partner.
In accordance with previous results, we found a significant increase in learning success and structure in both conditions along the evolution of compositional structure. Moreover, constituency was hinted at by the emergence of morphologically complex N-like and V-like syntactic lexical categories. These categories were used to form hierarchically compositional sentential structures with meaningful word order.
Despite the qualitative similarity of the results in the two conditions, we found that condition significantly affected the evolution of structure: languages in the dyadic condition became structured more rapidly and their level of structure was consistently higher. The levels of complexity in the emergent compositional systems were significantly different between conditions: the systems in the monadic condition showed higher system complexity on average and less transparent morphosyntactic structures (i.e. they exhibit functional elements such as category markers, and non-adjacent dependencies, not found in the dyadic condition).
Compositionality operating at the levels of morphology and syntax evolved through the trade off between compressibility and expressivity. Nevertheless, the difference in complexity found between the two conditions points to the need for further investigation into the nature of the pressure for expressivity in these experiments. In the dyadic condition, the need to maintain communication may lead to a conservative approach. If participants find a solution that works, they stick with it. In the monadic condition, the pressure for expressivity is quite different. The need to avoid reuse of the same description for different meanings leads to an anticonservative approach, with participants actively generating novel signals. Future work should investigate whether an analog of this tendency to innovate is at play in real languages, and consequently whether a pressure for novelty needs to take its place alongside compressibility and expressivity in the evolution of complex linguistic structure.
References
Kirby, S., Cornish, H., & Smith, K. (2008). Cumulative cultural evolution in the laboratory: An experimental approach to the origins of structure in human language. PNAS, 105(31), 10681–10686.
Kirby, S., Tamariz, M., Cornish, H., & Smith, K. (2015). Compression and communication in the cultural evolution of linguistic structure. Cognition, 141, 87–102.
Lupyan, G., & Dale, R. (2015). The role of adaptation in understanding linguistic diversity. In R. D. Busser & R. J. LaPolla (Eds.), Language structure and environment: Social, cultural, and natural factors.cognitive linguistic studies in cultural contexts, 6. John Benjamins.
Perfors, A., Tenenbaum, J. B., & Regier, T. (2011). The learnability of abstract syntactic principles. Cognition, 118(3), 306–338.
Regier, T., Kemp, C., & Kay, P. (2015). Word meanings across languages support efficient communication. In B. MacWhinney & W. O’Grady (Eds.), The handbook of language emergence. John Wiley & Sons.
Citation:
Saldana C., Kirby S. and Smith K. (2016). The Cultural Evolution Of Complexity In Linguistic Structure. In S.G. Roberts, C. Cuskley, L. McCrohon, L. Barceló-Coblijn, O. Fehér & T. Verhoef (eds.) The Evolution of Language: Proceedings of the 11th International Conference (EVOLANG11). Available online: http://evolang.org/neworleans/papers/49.html