Hermann Ackermann, Wolfram Ziegler
Audra Ames, Sara Wielandt, Dianne Cameron, Stan Kuczaj
David Ardell, Noelle Anderson, Bodo Winter
Rie Asano, Edward Ruoyang Shi
Mark Atkinson, Kenny Smith, Simon Kirby
Andreas Baumann, Christina Prömer, Kamil Kazmierski, Nikolaus Ritt
Christian Bentz
Aleksandrs Berdicevskis, Hanne Eckhoff
Richard A. Blythe, Alistair H. Jones, Jessica Renton
Cedric Boeckx, Constantina Theofanopoulou, Antonio Benítez-Burraco
Megan Broadway, Jamie Klaus, Billie Serafin, Heidi Lyn
Jon W. Carr, Kenny Smith, Hannah Cornish, Simon Kirby
Federica Cavicchio, Livnat Leemor, Simone Shamay-Tsoory, Wendy Sandler
Zanna Clay, Jahmaira Archbold, Klaus Zuberbuhler
Katie Collier, Andrew N. Radford, Balthasar Bickel, Marta B. Manser, Simon W. Townsend
Jennifer Culbertson, Simon Kirby, Marieke Schouwstra
Christine Cuskley, Vittorio Loreto
Christine Cuskley, Bernardo Monechi, Pietro Gravino, Vittorio Loreto
Dan Dediu, Scott Moisik
Sabrina Engesser, Amanda R. Ridley, Simon W. Townsend
Dankmar Enke, Roland Mühlenbernd, Igor Yanovich
Kerem Eryilmaz, Hannah Little, Bart de Boer
Nicolas Fay, Shane Rogers
Maryia Fedzechkina, Becky Chu, T. Florian Jaeger, John Trueswell
Olga Feher, Kenny Smith, Elizabeth Wonnacott, Nikolaus Ritt
Piera Filippi, Sebastian Ocklenburg, Daniel Liu Bowling, Larissa Heege, Albert Newen, Onur Güntürkün, Bart de Boer
Piera Filippi, Jenna V. Congdon, John Hoang, Daniel Liu Bowling, Stephan Reber, Andrius Pašukonis, Marisa Hoeschele, Sebastian Ocklenburg, Bart de Boer, Christopher B. Sturdy, Albert Newen, Onur GÜntÜrkÜn
Molly Flaherty, Katelyn Stangl, Susan Goldin-Meadow
Marlen Fröhlich, Paul H Kuchenbuch, Gudrun Müller, Barbara Fruth, Takeshi Furuichi, Roman M Wittig, Simone Pika
Victor Gay, Daniel Hicks, Estefania Santacreu-Vasut
Andreea Geambasu, Michelle J. Spierings, Carel ten Cate, Clara C. Levelt
Matt Hall, Russell Richie, Marie Coppola
Stefan Hartmann, Peeter Tinits, Jonas Nölle, Thomas Hartmann, Michael Pleyer
Wolfram Hinzen, Joana Rosselló
Rick Janssen, Bodo Winter, Dan Dediu, Scott Moisik, Sean Roberts
Rick Janssen, Dan Dediu, Scott Moisik
Jasmeen Kanwal, Kenny Smith, Jennifer Culbertson, Simon Kirby
Deborah Kerr, Kenny Smith
Buddhamas Kriengwatana, Paola Escudero, Anne Kerkhoven, Carel ten Cate
Adriano Lameira, Jeremy Kendal, Marco Gamba
Molly Lewis, Michael C. Frank
Casey Lister, Tiarn Burtenshaw, Nicolas Fay, Bradley Walker, Jeneva Ohan
Hannah Little, Kerem Eryılmaz, Bart de Boer
Hannah Little, Kerem Eryılmaz, Bart de Boer
Giuseppe Longobardi, Armin Buch, Andrea Ceolin, Aaron Ecay, Cristina Guardiano, Monica Irimia, Dimitris Michelioudakis, Nina Radkevich, Gerhard Jaeger
Heidi Lyn, Stephanie Jett, Megan Broadway, Mystera Samuelson
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Miranda
Adrien Meguerditchian, Damien Marie, Konstantina Margiotoudi, Scott A. Love, Alice Bertello, Romain Lacoste, Muriel Roth, Bruno Nazarian, Jean-Luc Anton, Olivier Coulon
Jérôme Michaud
Ashley Micklos
Marie Montant, Johannes Ziegler, Benny Briesemeister, Tila Brink, Bruno Wicker, Aurélie Ponz, Mireille Bonnard, Arthur Jacobs, Mario Braun
Yasamin Motamedi, Marieke Schouwstra, Kenny Smith, Simon Kirby
Roland Mühlenbernd, Johannes Wahle
Tomoya Nakai, Kazuo Okanoya
Savithry Namboodiripad, Daniel Lenzen, Ryan Lepic, Tessa Verhoef
Alan Nielsen, Dieuwke Hupkes, Simon Kirby, Kenny Smith
Bill Noble, Raquel Fernández
Irene M. Pepperberg, Katia Zilber-Izhar, Scott Smith
Lynn Perry, Marcus Perlman, Gary Lupyan, Bodo Winter, Dominic Massaro
Ljiljana Progovac
Andrea Ravignani, Tania Delgado, Simon Kirby
Terry Regier, Alexandra Carstensen, Charles Kemp
Lilia Rissman, Laura Horton, Molly Flaherty, Marie Coppola, Annie Senghas, Diane Brentari, Susan Goldin-Meadow
Gareth Roberts, Mariya Fedzechkina
Carmen Saldana, Simon Kirby, Kenny Smith
Carlos Santana
William Schueller, Pierre-Yves Oudeyer
Catriona Silvey, Christos Christodoulopoulos
Katie Slocombe, Stuart Watson, Anne Schel, Claudia Wilke, Emma Wallace, Leveda Cheng, Victoria West, Simon Townsend
Ruth Sonnweber, Andrea Ravignani
Michelle Spierings, Carel ten Cate
Kevin Stadler, Elyse Jamieson, Kenny Smith, Simon Kirby
Monica Tamariz, Joleana Shurley
Monica Tamariz, Jon W. Carr
Bill Thompson, Heikki Rasilo
Oksana Tkachman, Carla L. Hudson Kam
Simon Townsend, Andrew Russell, Sabrina Engesser
Francesca Tria, Vittorio Loreto, Vito Servedio, S. Mufwene Salikoko
Anu Vastenius, Jordan Zlatev, Joost Van de Weijer
Tessa Verhoef, Carol Padden, Simon Kirby
Slawomir Wacewicz, Przemyslaw Zywiczynski, Arkadiusz Jasinski
Bodo Winter, David Ardell
Bodo Winter, Lynn Perry, Marcus Perlman, Gary Lupyan
Marieke Woensdregt, Kenny Smith, Chris Cummins, Simon Kirby
Eva Zehentner, Andreas Baumann, Nikolaus Ritt, Christina Prömer
Keywords: gesture, silent gesture, experiment, semantics, interaction
Short description: Basic word order in silent gesture: initially conditioned semantically, but becomes regular through interaction and iteration
Abstract:
All languages have ways to describe who did what to whom, and many have a fixed order for Subject, Object and Verb. Silent gesture, an experimental paradigm in which adult hearing participants are asked to describe events using only their hands, has proven to be a valuable tool to investigate the origins of word order. It was found that regardless the dominant order of their native language, people prefer to use SOV order for describing extensional transitive events (e.g., boy- ball-throw) (Goldin-Meadow et al., 2008). They deviate from this order, however, when an event has certain semantic characteristics. When events are reversible (the roles of Agent and Patient can be switched; e.g. boy-lift-girl) this leads to various word orders, one of which SVO (Gibson et al., 2013, Hall et al., 2013). When intensional (the Object is non-existent or non-specific; e.g., boy-search- ball), this leads to a preference for SVO order (Schouwstra & de Swart, 2014).
The two orders mentioned above, SOV for extensional and SVO for intensional events, arise independently of the dominant order of the participants’ native language, and we will claim that they represent naturalness: they are cognitively the most intuitive way to impose linear structure on information, reflecting a preference to put Agents first (see Jackendoff (2002)) and more abstract or relational information last. Existing languages do not generally reflect this natural- ness, as they tend not to have word order conditioned on event type. Given the improvisation-situation that favours semantically conditioned word order, and the fully conventionalised situation that favours regularity in word order, we investigated what happens to silent gesture over time when it is used for communication. Will it become more regular, like conventional language?
In experiment 1, 24 adult native speakers of English with no knowledge of any sign language were assigned into dyads, and each dyad was asked to communicate about intensional and extensional events. The set of stimuli consisted of 64 line drawings: 32 intensional and 32 extensional events. Participants alternated between the role of actor and interpreter and engaged in six rounds of 32 trials each (switching roles each trial). As actor they described an image (presented on an iPad) using only their hands, and as interpreter they chose (from an array of 8 images on the iPad) the image they thought was intended by the actor. Each actor described equal numbers of intensional and extensional events. They received immediate feedback after each trial, and were encouraged to increase their speed over rounds and be as quick and accurate as possible overall.
Speed and accuracy increased over the course of the experiment. Moreover, the word orders showed signs of conventionalisation: over the rounds, word order became less conditioned on meaning, and 7 of 12 dyads even converged on a single word order. However, all 7 pairs converged on SVO, the natural order for intensional events but also same order as their native language.
To see if the frequency of event types could influence the word order of the emerging sign system, we conducted a second experiment, in which extensional events were more frequent than intensional events. Experiment 2 was set up the same as experiment 1, except for the proportions of the two kinds of events: each actor described 24 intensional events (25%) and 72 extensional events (75%). The larger proportion of extensional events had an influence on the proportion of SOV orders used throughout the experiment, compared to experiment 1, and on the way in which conventional word order was introduced: although 3 dyads converged on SVO word order, 3 other dyads converged on SOV.
Our experiments show that in silent gesture communication, semantically conditioned word order tends to disappear in favour of more regular word order. The frequency of extensional and intensional events influences the way in which regularisation progresses. This suggests that where pressures for naturalness and regularity are in conflict, languages may start natural, but that naturalness will give way to regularity as signalling becomes conventionalised through repeated usage.
Citation:
Schouwstra M., Smith K. and Kirby S. (2016). From Natural Order To Convention In Silent Gesture. In S.G. Roberts, C. Cuskley, L. McCrohon, L. Barceló-Coblijn, O. Fehér & T. Verhoef (eds.) The Evolution of Language: Proceedings of the 11th International Conference (EVOLANG11). Available online: http://evolang.org/neworleans/papers/67.html