Hermann Ackermann, Wolfram Ziegler
Audra Ames, Sara Wielandt, Dianne Cameron, Stan Kuczaj
David Ardell, Noelle Anderson, Bodo Winter
Rie Asano, Edward Ruoyang Shi
Mark Atkinson, Kenny Smith, Simon Kirby
Andreas Baumann, Christina Prömer, Kamil Kazmierski, Nikolaus Ritt
Christian Bentz
Aleksandrs Berdicevskis, Hanne Eckhoff
Richard A. Blythe, Alistair H. Jones, Jessica Renton
Cedric Boeckx, Constantina Theofanopoulou, Antonio Benítez-Burraco
Megan Broadway, Jamie Klaus, Billie Serafin, Heidi Lyn
Jon W. Carr, Kenny Smith, Hannah Cornish, Simon Kirby
Federica Cavicchio, Livnat Leemor, Simone Shamay-Tsoory, Wendy Sandler
Zanna Clay, Jahmaira Archbold, Klaus Zuberbuhler
Katie Collier, Andrew N. Radford, Balthasar Bickel, Marta B. Manser, Simon W. Townsend
Jennifer Culbertson, Simon Kirby, Marieke Schouwstra
Christine Cuskley, Vittorio Loreto
Christine Cuskley, Bernardo Monechi, Pietro Gravino, Vittorio Loreto
Dan Dediu, Scott Moisik
Sabrina Engesser, Amanda R. Ridley, Simon W. Townsend
Dankmar Enke, Roland Mühlenbernd, Igor Yanovich
Kerem Eryilmaz, Hannah Little, Bart de Boer
Nicolas Fay, Shane Rogers
Maryia Fedzechkina, Becky Chu, T. Florian Jaeger, John Trueswell
Olga Feher, Kenny Smith, Elizabeth Wonnacott, Nikolaus Ritt
Piera Filippi, Sebastian Ocklenburg, Daniel Liu Bowling, Larissa Heege, Albert Newen, Onur Güntürkün, Bart de Boer
Piera Filippi, Jenna V. Congdon, John Hoang, Daniel Liu Bowling, Stephan Reber, Andrius Pašukonis, Marisa Hoeschele, Sebastian Ocklenburg, Bart de Boer, Christopher B. Sturdy, Albert Newen, Onur GÜntÜrkÜn
Molly Flaherty, Katelyn Stangl, Susan Goldin-Meadow
Marlen Fröhlich, Paul H Kuchenbuch, Gudrun Müller, Barbara Fruth, Takeshi Furuichi, Roman M Wittig, Simone Pika
Victor Gay, Daniel Hicks, Estefania Santacreu-Vasut
Andreea Geambasu, Michelle J. Spierings, Carel ten Cate, Clara C. Levelt
Matt Hall, Russell Richie, Marie Coppola
Stefan Hartmann, Peeter Tinits, Jonas Nölle, Thomas Hartmann, Michael Pleyer
Wolfram Hinzen, Joana Rosselló
Rick Janssen, Bodo Winter, Dan Dediu, Scott Moisik, Sean Roberts
Rick Janssen, Dan Dediu, Scott Moisik
Jasmeen Kanwal, Kenny Smith, Jennifer Culbertson, Simon Kirby
Deborah Kerr, Kenny Smith
Buddhamas Kriengwatana, Paola Escudero, Anne Kerkhoven, Carel ten Cate
Adriano Lameira, Jeremy Kendal, Marco Gamba
Molly Lewis, Michael C. Frank
Casey Lister, Tiarn Burtenshaw, Nicolas Fay, Bradley Walker, Jeneva Ohan
Hannah Little, Kerem Eryılmaz, Bart de Boer
Hannah Little, Kerem Eryılmaz, Bart de Boer
Giuseppe Longobardi, Armin Buch, Andrea Ceolin, Aaron Ecay, Cristina Guardiano, Monica Irimia, Dimitris Michelioudakis, Nina Radkevich, Gerhard Jaeger
Heidi Lyn, Stephanie Jett, Megan Broadway, Mystera Samuelson
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Miranda
Adrien Meguerditchian, Damien Marie, Konstantina Margiotoudi, Scott A. Love, Alice Bertello, Romain Lacoste, Muriel Roth, Bruno Nazarian, Jean-Luc Anton, Olivier Coulon
Jérôme Michaud
Ashley Micklos
Marie Montant, Johannes Ziegler, Benny Briesemeister, Tila Brink, Bruno Wicker, Aurélie Ponz, Mireille Bonnard, Arthur Jacobs, Mario Braun
Yasamin Motamedi, Marieke Schouwstra, Kenny Smith, Simon Kirby
Roland Mühlenbernd, Johannes Wahle
Tomoya Nakai, Kazuo Okanoya
Savithry Namboodiripad, Daniel Lenzen, Ryan Lepic, Tessa Verhoef
Alan Nielsen, Dieuwke Hupkes, Simon Kirby, Kenny Smith
Bill Noble, Raquel Fernández
Irene M. Pepperberg, Katia Zilber-Izhar, Scott Smith
Lynn Perry, Marcus Perlman, Gary Lupyan, Bodo Winter, Dominic Massaro
Ljiljana Progovac
Andrea Ravignani, Tania Delgado, Simon Kirby
Terry Regier, Alexandra Carstensen, Charles Kemp
Lilia Rissman, Laura Horton, Molly Flaherty, Marie Coppola, Annie Senghas, Diane Brentari, Susan Goldin-Meadow
Gareth Roberts, Mariya Fedzechkina
Carmen Saldana, Simon Kirby, Kenny Smith
Carlos Santana
William Schueller, Pierre-Yves Oudeyer
Catriona Silvey, Christos Christodoulopoulos
Katie Slocombe, Stuart Watson, Anne Schel, Claudia Wilke, Emma Wallace, Leveda Cheng, Victoria West, Simon Townsend
Ruth Sonnweber, Andrea Ravignani
Michelle Spierings, Carel ten Cate
Kevin Stadler, Elyse Jamieson, Kenny Smith, Simon Kirby
Monica Tamariz, Joleana Shurley
Monica Tamariz, Jon W. Carr
Bill Thompson, Heikki Rasilo
Oksana Tkachman, Carla L. Hudson Kam
Simon Townsend, Andrew Russell, Sabrina Engesser
Francesca Tria, Vittorio Loreto, Vito Servedio, S. Mufwene Salikoko
Anu Vastenius, Jordan Zlatev, Joost Van de Weijer
Tessa Verhoef, Carol Padden, Simon Kirby
Slawomir Wacewicz, Przemyslaw Zywiczynski, Arkadiusz Jasinski
Bodo Winter, David Ardell
Bodo Winter, Lynn Perry, Marcus Perlman, Gary Lupyan
Marieke Woensdregt, Kenny Smith, Chris Cummins, Simon Kirby
Eva Zehentner, Andreas Baumann, Nikolaus Ritt, Christina Prömer
Keywords: salience, relevance, convention, signaling, pragmatics, audience design, inference
Abstract:
Imagine needing to communicate some meaning in the absence of a shared, conventional signal. A modern human might do this in a number of ways. Lacking the word 'snake', for example, one might vocally imitate its hiss, or gesturally imitate its slithering, or its biting strike. One could draw a simple stick-figure, or, if speaker and listener share conventional signals other than 'snake', one could say something like 'legless reptile'. Each of these choices foregrounds — makes salient — a different feature of the snake: its hiss, its movement, its bite, its anatomy, its taxonomy.
Some of these choices about salience will be better than others in conveying the meaning to the interpreter. If the slithering gesture were to make most people guess 'fish', the signal would be a poor choice for communicating about snakes. How does a signaler select a signal in the absence of convention? In particular, what information drives the inference about which out of several potentially salient features is most likely to lead to successful communication? Understanding how signaling occurs in the absence of convention is crucial for understanding the origins of convention (Cubitt & Sugden, 2003), and ultimately for understanding the evolution of language with its reliance on conventional signals.
According to several influential theories (Lewis, 1969; Sperber & Wilson, 1995), people are able to take their interlocutor’s point of view into account when deciding how to signal, inferring either what would be salient from an interlocutor’s perspective, or what information would be relevant to them. We experimentally tested the assumption that people are able to use information about salience or relevance from another’s point of view using a word-guessing game.
In the game, a signaler is given an item, such as 'bank'. He/she has to think of a one-word signal to help a guesser guess the item. A very good signal in this case is 'teller' because most people guess 'bank' given 'teller' (Nelson, McEvoy, & Schreiber, 1998). On the other hand, 'money' is a poor choice because very few people guess 'bank' given 'money' (Nelson et al., 1998). The challenge of choosing a good signal is twofold. First, communication of this sort is inherently asymmetric
in the sense that the signaler is given 'bank', while the guesser must infer 'bank'. In addition, salience is often asymmetric, in the sense that 'money' is likely to occur to a signaler given the item 'bank', but 'bank' isn’t likely to occur to the guesser given the signal 'money' (Nelson et al., 1998). The question, then, is whether the signaler is able to override the comparatively high salience of 'money' from his/her point of view to choose a signal that is more informative from the guesser’s point of view, such as 'teller'.
Our results show that signalers are more likely to use information about salience from their own perspective than the guesser’s perspective in an unconstrained task like the one just described. This leads to low communicative success. For example, 40% of signalers chose 'money' to signal 'bank' — the most common choice — while 0% chose 'teller' (we use this example as an illustration; the experiments used many other items). In an unconstrained task like this, signalers are quite poor in using information from the guesser’s perspective, and guessers are even worse at inferring salience from the signaler’s perspective.
In a second study we show that communicators do have access to information about salience from the opposite perspective, but they do not access this information outside of tightly constrained contexts. For example, when given a list of 5 potential signals including 'money' and 'teller', and asked to pick which would be most likely to help someone guess 'bank', 42% now chose 'teller' and just 25% 'money'. In a third study, we show that contextual information can promote perspective taking if the context is clearly shared between signaler and guesser. Participants were given a list of items, all of which made 'money' salient. They were then asked to help the guesser pick 'bank'. This partially inhibited their choosing 'money' as a signal for 'bank' if told that the guesser also had the list.
In sum, the results show that in a novel signaling task, people are sometimes able to take another’s perspective on salience, but this is difficult and achieved only under specific conditions. We give examples of such conditions and conclude that these impose severe limitations on any theory that relies on inference in perspective taking to explain the emergence of successful linguistic conventions.
Citation:
Sulik J. and Lupyan G. (2016). Failures Of Perspective Taking In An Open-ended Signaling Task. In S.G. Roberts, C. Cuskley, L. McCrohon, L. Barceló-Coblijn, O. Fehér & T. Verhoef (eds.) The Evolution of Language: Proceedings of the 11th International Conference (EVOLANG11). Available online: http://evolang.org/neworleans/papers/103.html