Hermann Ackermann, Wolfram Ziegler
Audra Ames, Sara Wielandt, Dianne Cameron, Stan Kuczaj
David Ardell, Noelle Anderson, Bodo Winter
Rie Asano, Edward Ruoyang Shi
Mark Atkinson, Kenny Smith, Simon Kirby
Andreas Baumann, Christina Prömer, Kamil Kazmierski, Nikolaus Ritt
Christian Bentz
Aleksandrs Berdicevskis, Hanne Eckhoff
Richard A. Blythe, Alistair H. Jones, Jessica Renton
Cedric Boeckx, Constantina Theofanopoulou, Antonio Benítez-Burraco
Megan Broadway, Jamie Klaus, Billie Serafin, Heidi Lyn
Jon W. Carr, Kenny Smith, Hannah Cornish, Simon Kirby
Federica Cavicchio, Livnat Leemor, Simone Shamay-Tsoory, Wendy Sandler
Zanna Clay, Jahmaira Archbold, Klaus Zuberbuhler
Katie Collier, Andrew N. Radford, Balthasar Bickel, Marta B. Manser, Simon W. Townsend
Jennifer Culbertson, Simon Kirby, Marieke Schouwstra
Christine Cuskley, Vittorio Loreto
Christine Cuskley, Bernardo Monechi, Pietro Gravino, Vittorio Loreto
Dan Dediu, Scott Moisik
Sabrina Engesser, Amanda R. Ridley, Simon W. Townsend
Dankmar Enke, Roland Mühlenbernd, Igor Yanovich
Kerem Eryilmaz, Hannah Little, Bart de Boer
Nicolas Fay, Shane Rogers
Maryia Fedzechkina, Becky Chu, T. Florian Jaeger, John Trueswell
Olga Feher, Kenny Smith, Elizabeth Wonnacott, Nikolaus Ritt
Piera Filippi, Sebastian Ocklenburg, Daniel Liu Bowling, Larissa Heege, Albert Newen, Onur Güntürkün, Bart de Boer
Piera Filippi, Jenna V. Congdon, John Hoang, Daniel Liu Bowling, Stephan Reber, Andrius Pašukonis, Marisa Hoeschele, Sebastian Ocklenburg, Bart de Boer, Christopher B. Sturdy, Albert Newen, Onur GÜntÜrkÜn
Molly Flaherty, Katelyn Stangl, Susan Goldin-Meadow
Marlen Fröhlich, Paul H Kuchenbuch, Gudrun Müller, Barbara Fruth, Takeshi Furuichi, Roman M Wittig, Simone Pika
Victor Gay, Daniel Hicks, Estefania Santacreu-Vasut
Andreea Geambasu, Michelle J. Spierings, Carel ten Cate, Clara C. Levelt
Matt Hall, Russell Richie, Marie Coppola
Stefan Hartmann, Peeter Tinits, Jonas Nölle, Thomas Hartmann, Michael Pleyer
Wolfram Hinzen, Joana Rosselló
Rick Janssen, Bodo Winter, Dan Dediu, Scott Moisik, Sean Roberts
Rick Janssen, Dan Dediu, Scott Moisik
Jasmeen Kanwal, Kenny Smith, Jennifer Culbertson, Simon Kirby
Deborah Kerr, Kenny Smith
Buddhamas Kriengwatana, Paola Escudero, Anne Kerkhoven, Carel ten Cate
Adriano Lameira, Jeremy Kendal, Marco Gamba
Molly Lewis, Michael C. Frank
Casey Lister, Tiarn Burtenshaw, Nicolas Fay, Bradley Walker, Jeneva Ohan
Hannah Little, Kerem Eryılmaz, Bart de Boer
Hannah Little, Kerem Eryılmaz, Bart de Boer
Giuseppe Longobardi, Armin Buch, Andrea Ceolin, Aaron Ecay, Cristina Guardiano, Monica Irimia, Dimitris Michelioudakis, Nina Radkevich, Gerhard Jaeger
Heidi Lyn, Stephanie Jett, Megan Broadway, Mystera Samuelson
Michael Mcloughlin, Luca Lamoni, Ellen Garland, Simon Ingram, Alexis Kirke, Michael Noad, Luke Rendell, Eduardo Miranda
Adrien Meguerditchian, Damien Marie, Konstantina Margiotoudi, Scott A. Love, Alice Bertello, Romain Lacoste, Muriel Roth, Bruno Nazarian, Jean-Luc Anton, Olivier Coulon
Jérôme Michaud
Ashley Micklos
Marie Montant, Johannes Ziegler, Benny Briesemeister, Tila Brink, Bruno Wicker, Aurélie Ponz, Mireille Bonnard, Arthur Jacobs, Mario Braun
Yasamin Motamedi, Marieke Schouwstra, Kenny Smith, Simon Kirby
Roland Mühlenbernd, Johannes Wahle
Tomoya Nakai, Kazuo Okanoya
Savithry Namboodiripad, Daniel Lenzen, Ryan Lepic, Tessa Verhoef
Alan Nielsen, Dieuwke Hupkes, Simon Kirby, Kenny Smith
Bill Noble, Raquel Fernández
Irene M. Pepperberg, Katia Zilber-Izhar, Scott Smith
Lynn Perry, Marcus Perlman, Gary Lupyan, Bodo Winter, Dominic Massaro
Ljiljana Progovac
Andrea Ravignani, Tania Delgado, Simon Kirby
Terry Regier, Alexandra Carstensen, Charles Kemp
Lilia Rissman, Laura Horton, Molly Flaherty, Marie Coppola, Annie Senghas, Diane Brentari, Susan Goldin-Meadow
Gareth Roberts, Mariya Fedzechkina
Carmen Saldana, Simon Kirby, Kenny Smith
Carlos Santana
William Schueller, Pierre-Yves Oudeyer
Catriona Silvey, Christos Christodoulopoulos
Katie Slocombe, Stuart Watson, Anne Schel, Claudia Wilke, Emma Wallace, Leveda Cheng, Victoria West, Simon Townsend
Ruth Sonnweber, Andrea Ravignani
Michelle Spierings, Carel ten Cate
Kevin Stadler, Elyse Jamieson, Kenny Smith, Simon Kirby
Monica Tamariz, Joleana Shurley
Monica Tamariz, Jon W. Carr
Bill Thompson, Heikki Rasilo
Oksana Tkachman, Carla L. Hudson Kam
Simon Townsend, Andrew Russell, Sabrina Engesser
Francesca Tria, Vittorio Loreto, Vito Servedio, S. Mufwene Salikoko
Anu Vastenius, Jordan Zlatev, Joost Van de Weijer
Tessa Verhoef, Carol Padden, Simon Kirby
Slawomir Wacewicz, Przemyslaw Zywiczynski, Arkadiusz Jasinski
Bodo Winter, David Ardell
Bodo Winter, Lynn Perry, Marcus Perlman, Gary Lupyan
Marieke Woensdregt, Kenny Smith, Chris Cummins, Simon Kirby
Eva Zehentner, Andreas Baumann, Nikolaus Ritt, Christina Prömer
Keywords: iterated learning, nonlinear biases, slide whistle experiment
Short description: Subjects converge on stable regions in iterated learning experiment using nonlinear flutes. Anatomical biases might constrain the design space of language.
Abstract:
In Iterated Learning (IL) experiments, a participant’s learned output serves as the next participant’s learning input (Kirby et al., 2014). IL can be used to model cultural transmission and has indicated that weak biases can be amplified through repeated cultural transmission (Kirby et al., 2007). So, for example, structural language properties can emerge over time because languages come to reflect the cognitive constraints in the individuals that learn and produce the language. Similarly, we propose that languages may also reflect certain anatomical biases. Do sound systems adapt to the affordances of the articulation space induced by the vocal tract?
The human vocal tract has inherent nonlinearities which might derive from acoustics and aerodynamics (cf. quantal theory, see Stevens, 1989) or biomechanics (cf. Gick & Moisik, 2015). For instance, moving the tongue anteriorly along the hard palate to produce a fricative does not result in large changes in acoustics in most cases, but for a small range there is an abrupt change from a perceived palato-alveolar [ʃ] to alveolar [s] sound (Perkell, 2012). Nonlinearities such as these might bias all human speakers to converge on a very limited set of phonetic categories, and might even be a basis for combinatoriality or phonemic ‘universals’.
While IL typically uses discrete symbols, Verhoef et al. (2014) have used slide whistles to produce a continuous signal. We conducted an IL experiment with human subjects who communicated using a digital slide whistle for which the degree of nonlinearity is controlled. A single parameter (α) changes the mapping from slide whistle position (the ‘articulator’) to the acoustics. With α=0, the position of the slide whistle maps Bark-linearly to the acoustics. As α approaches 1, the mapping gets more double-sigmoidal, creating three plateaus where large ranges of positions map to similar frequencies. In more abstract terms, α represents the strength of a nonlinear (anatomical) bias in the vocal tract.
Six chains (138 participants) of dyads were tested, each chain with a different, fixed α. Participants had to communicate four meanings by producing a continuous signal using the slide-whistle in a ‘director-matcher’ game, alternating roles (cf. Garrod et al., 2007).
Results show that for high αs, subjects quickly converged on the plateaus. This quick convergence is indicative of a strong bias, repelling subjects away from unstable regions already within-subject. Furthermore, high αs lead to the emergence of signals that oscillate between two (out of three) plateaus. Because the sigmoidal spaces are spatially constrained, participants increasingly used the sequential/temporal dimension. As a result of this, the average duration of signals with high α was ~100ms longer than with low α. These oscillations could be an expression of a basis for phonemic combinatoriality.
We have shown that it is possible to manipulate the magnitude of an articulator-induced non-linear bias in a slide whistle IL framework. The results suggest that anatomical biases might indeed constrain the design space of language. In particular, the signaling systems in our study quickly converged (within-subject) on the use of stable regions. While these conclusions were drawn from experiments using slide whistles with a relatively strong bias, weaker biases could possibly be amplified over time by repeated cultural transmission, and likely lead to similar outcomes.
Citation:
Janssen R., Winter B., Dediu D., Moisik S. and Roberts S. (2016). Nonlinear Biases In Articulation Constrain The Design Space Of Language. In S.G. Roberts, C. Cuskley, L. McCrohon, L. Barceló-Coblijn, O. Fehér & T. Verhoef (eds.) The Evolution of Language: Proceedings of the 11th International Conference (EVOLANG11). Available online: http://evolang.org/neworleans/papers/86.html